Monday, 26 January 2015

Jess' Thriller Openings

The Usual Suspects

In the opening of 'The Usual Suspects' there are many enigma codes that connote the thriller genre, a close up of a dead body is one example that is used in this opening.
 Dark, or low-key lighting is used to portray the idea of mystery and creates an eerie atmosphere, there is a small bit of light that is provided by a fire which adds to the eeriness of the scene.
 The costumes are all black and dark colours which match the lighting in the scene and further connote an eerie and mysterious atmosphere.
 At the start of the opening there is a man sitting on the floor of what seems to be an old warehouse, he lights a bit of paper and drops it on the floor which then starts a bigger fire, the audience then labels this man as a potential antagonist.
 However, because the man is sitting on floor and there is a slight high angle shot of him, it suggest he is actually in a position of weakness and is a potential victim of something.
Another man is standing at the top of a set of stairs at the warehouse and urinated on the fire that the other man started and put it out.
The medium shot and tight framing of the second man cuts off his head so the audience is unable to see his identity, because of this the audience then puts this man in the role of antagonist and this also emphasises the idea of mystery.
The use of diegetic sound adds to the enigma of the thriller genre, police sirens and gun shots are used as they are stereotypical expectations of a thriller.
 Non-diegetic, creepy, music is played throughout the opening and gets louder to match the action unfolding, which further creates an eerie atmosphere and this is another enigma code of the thriller genre.

The Girl with the Dragon Tattoo

The first shot in the opening of 'The Girl with the Dragon Tattoo' is a close up of a parcel.
The audience is unaware of what is inside the parcel so this creates a mystery, which is a thriller enigma code.
There is a man sitting at a desk, the room is dark and there is only a slight bit of light coming in through the window, a close up of the mans face suggests that he is exposed and perhaps a victim or a protagonist in this film as his identity is not hidden.
Quiet, non-diegetic music is playing while the man is opening the parcel.
In the parcel is a plant of some sort in a frame, this confuses the audience and intrigues them as they know that the frame is significant but not why it is.
The man begins to get upset at what he has opened, there is a zoom shot of the man which reveals the rest of the room where he is sitting.
As the man becomes increasingly upset, the non-diegetic music gets louder to match the mans despair.
There is a close up of a black and white photo of a woman, the audience then start to wonder why this photo is significant, or who the woman in the photo is, if she is alive or if she is dead.
The man from this scene is dressed in a shirt and tie with a woollen jumper over the top, this connotes high status  and the audience assumes this man is quite wealthy.
A big desk and fancy décor around the room where he is sitting emphasises the idea of high class and wealth.
The camera then cuts to a tracking shot of a hooded girl walking along the street, the non-diegetic music from the previous scene is still playing at this point.
The girl is wearing all black, a pair of jeans and a hoody.
This subverts gender stereotypes and the girl is presented as the antagonist as a result of stereotypical costuming.
Also, the girls identity is hidden as there is only one very quick close up of part of her face, this further connotes the idea of this girl being an antagonist and portrays her as a hidden and mysterious character.



Inception

This opening begins with a medium shot of the sea and the diegetic sound of crashing waves which begins to establish a location.
A close up of a man who looks like he has been washed up on the beach suggests to the audience that this man is a potential protagonist as his identity is not hidden and he is in a position of weakness.
There is a shot from the mans point of view of two children playing on the beach, this shot is in slow motion which portrays the man as disorientated and perhaps weak.
Non-diegetic music is playing while the man is on the beach to create a mysterious atmosphere, the audience begin to wonder where this man is and why he is there.
The man is poked in the back by a soldier with a gun, the gun adds to the enigma of the thriller.
the soldier lifts up the man's jacket with his gun and reveals another gun that the man has been carrying with him.
Next there is a long shot of a building, this again creates mystery as the audience are unaware of the significance of the building.
A slow zoom shot takes the audience into a room where a man is sitting with his back to the camera, this portrays him as a potential antagonist.
A soldier or guard enters the room and places a gun and a spinning top on the table next to the man, this are the items that the first man was carrying on him.
The guards bring the first man into this room and sit him down opposite the man who is sitting at the table.
The second man asks "Are you here to kill me?"
This question makes the audience change there mind about the first man and label him now as the antagonist.
The second man picks up the spinning top and spins it, a close up of the spinning top suggests that it is a significant object, but it also creates a sense of mystery as the audience do not know why.
Mystery is also portrayed by the fact that the audience have no idea who either of the men are, why the first one is there or why the guards have captured him.

Zodiac

The first shot of this opening sequence is a pan shot of a city to establish location.
It's set at night time, so the darkness creates a sense of mystery.
As the car is driving through the town there is diegitic music being played on the radio, this is used to perhaps establish the era in which the film is set.
A tracking/POV shot reveals someone driving through a town where there are fireworks going off, the fireworks portray the evening as important or significant in someway.
The car stops outside a house and a boy approaches the car, there is a medium shot of him where his entire face is visible, he is presented as being is a position of weakness.
The camera then reveals the driver, a young female, this subverts gender stereotypes and when she refuses to let the male drive, she comes across as a dominant character.
However, because her face is also visible it puts her in the same weak position as the male character.
When the two are in the car, they go to a place that is barren, dusty and surrounded by woodland, this location gives the impression of someone being stranded or alone, it also adds to the enigma of the thriller genre.
When the two characters are sat in their car, another car approaches the back of them and a dark figure gets out of the car.
The tight camera framing cuts off the figure's head, hiding their identity, this figure is then portrayed as the antagonist.
As the figure approaches the car with the two people in it, he pulls out a gun and shoots both of them.
Both the gun and the diegetic sound of gun shots are engima codes of the thriller genre.
When the figure walks away from the car after murdering the two people inside it, there is non-diegetic music playing.
However, the music does not match the atmosphere that the on-screen action has created, this confuses and somewhat disorientates the audience.
Towards the end of the opening, there is a medium shot of of a dead body and a policeman who is investigating obscures the shot.
Again, these are engima codes and further connote the thriller genre to the audience.

Face off

A medium shot of a father and son riding a merry go round is obscured by the rest of the merry go round.
The opening is in slow motion to emphasize a sense of mystery but also suggests that this scene is a flashback.
The fact that the scene has a sepia effect on it emphasizes the idea of a flashback.
There is a close up of a sheet being ripped off of an object and reveals a sniper, this is an enigma code and further portrays the thriller genre.
Non-diegetic music matches the action unfolding.(The gun being revealed.)
The man behind the gun is presented as the antagonist purely because of the fact that he is behind a gun.
Because there is a close up of the antagonist's face, it subverts the idea of a stereotypical antagonist and suggests that he has some sort of personal connection to the father and son that were seen in the previous shot.
When the man fire the gun, there is a close up of the bullet leaving the gun the further connote the thriller genre.
The father and his son are both shot by the bullet, there is blood left on the horse and the balloons that the child was holding fly up into the air, this symbolizes the infants injury or even death.
Slow paced non-diegetic music plays alongside the action to emphasize the child's death and the fathers despair.





Monday, 19 January 2015

Preliminary Task Review

During Friday's lesson we were given feedback by the rest of the class on our preliminary task. 
We were told that:
•the camera shots were nicely framed 
•we followed the 180 degree rule 
•there was a good use of props
•good use of OTS shots 

However there were some problems with our prelim task. For example, the sequence that we filmed was supposed to be 1 minute long but ours was only 42 seconds. This is a problem that we will now make sure doesn't happen when we begin our main task. 

Zoe's analysis of the opening from 'The Usual Suspects'

  • The close up of lit matches at the beginning of sequence, straight away signifies danger.
  • Tracking shot of the fire spreading, again suggests danger and generates anxiety.
  • Tilt up to the unknown character urinating on the balcony creates enigma and eagerness to know who they are. The use of restricted narration causes the enigma to be sustained throughout.
  • Tilt down from the balcony to follow the journey of the unknown character going down the stairs, with the camera sustaining a long shot, makes it seem like we are spying on him, which boosts the enigma and increases the suspense.
  • As the unknown character departs from the stairs, the camera begins to slightly zoom in to his feet walking, which suggests that he is about to do something bad to the other man, as the tension is increased. Shallow depth of field is also used to capture how important this unknown character is.
  • A low angle close up is used to establish how the other male antagonist is weaker than the unknown male protagonist as he is looking up at him, which increases the unknown man's power and creates intimidation. This shot is sustained throughout shot reverse shot in order to amplify the difference in power between the two characters.
  • The camera also captures the lighter being brought out of his pocket, and then being put back in the pocket, but the unknown character's face remains absent and we don't actually see the cigarette being lit, which suggests the focus is specifically on the iconography of the  lighter, to emphasise that it's an important prop as it produces fire.
  • The point of view shot of the other male antagonist at gun point creates tension and anxiety as it seems that the unknown character is pointing the gun at the audience; it's as if we are put into the victim's body. It's a very threatening shot due to the iconography of the gun.
  • This shot also allows the audience to see that the unknown male protagonist is wearing a black jacket, which is a stereotypical costume for the villain to wear, as it's considered to be menacing and mysterious.
  • The cutaway that's made as the shooting commences allows the audience to observe the setting, which seems to be quite isolated and empty. The cutaway could also be used to emphasise how loud the diegetic sound of the gun shot is, as it seems to echo around the lonely setting.
  • Slow motion effect is used to capture the close up of the cigarette being dropped; showing the importance of the cigarette as it kick starts the fire, causing everything to blow up. It creates suspense and shock.
  • The close up allows the audience to notice that the unknown character is wearing black leather gloves; suggesting sophistication and power.
  • Another tracking shot is used to follow the spread of the fire, which creates the build up to the explosion.
  • A low angle shot is used to magnify the hugeness of the explosion. At this point, the non-diegetic music becomes higher in pitch to highlight the climax of the sequence. Whereas throughout the rest of the sequence, the non-diegetic music remained mostly menacing and sinister without too much change.
  • The sequence finishes with the diegetic sound of police sirens, which connotes justice and resolution, just before the screen dissolves into another scene - suggesting a flashback.
  • The lighting remains as low key throughout in order to establish the Thriller genre, by making the setting gloomy and dull.
  • The chronology isn't in the right order, but the effect of opening with a killing scene grabs the audiences attention as we are intrigued by what we see! Straight away tension is created. 

Tuesday, 13 January 2015

Final Video

The slow motion does not seem to be working on this video. However, we have a file on the college system where the full video is working fine.

Final Touches


We have now finished editing; we added final touches such as a black and white filter, a heartbeat at the beginning of the sequence, menacing music that plays throughout the rest of the sequence, and lastly, we put certain shots in slow motion.
We did all of this to create tension, and an eerie atmosphere.
The slow motion effect was used to emphasise certain actions such as sliding the knife across the table, this made it more engaging and attention grabbing for the audience.
The black and white filter made the sequence more mysterious and it acted as a representation of the genre being crime/thriller.
The non-diegetic music added to the suspension and generated a menacing vibe. We decided to use a heartbeat at the beginning to kick start the rhythm and to instantly grip the audience.

Tuesday, 16 December 2014

Evidence:Editing

We are now beginning to edit our Preliminary Task. We are going to be adding non diegetic music and we are also planning to use the black and white colour scheme throughout. Also, we want the shots to be quite short and to have a quick pace to build tension and to make the audience anxious when watching. The group is working really well together and we are getting everything done quite quickly and at a high standard. We have already begun to talk about out main task after Christmas and have some great ideas!

Locations!



This door is used in many shots such as the close up of the handle and the match on action shot.
The long shot of the corridor and part of the door is used to show the main character walking towards the room where her boss is to create tension.
We chose to use this corridor on the second floor because it was wide and very long so we could film many long shots for the opening of the scene.