Showing posts with label Jess. Show all posts
Showing posts with label Jess. Show all posts
Friday, 20 March 2015
Friday, 6 March 2015
Sound Effects
We have started using Garage Band to add some sound effects, such as a car engine, a car door shutting, a plate smashing and water boiling. These will emphasise and increase the volume of the clips, making them seem significant.
Tuesday, 3 March 2015
Evidence of Editing
We've been using certain editing techniques such as a fade to black, and cuts to show the suspense that builds up throughout our sequence. We have also altered lighting in places to correct any continuity issues that we have seen.
Tuesday, 24 February 2015
Monday, 23 February 2015
Thriller Title Ideas
We have many ideas for the title of our thriller. However, we have not decided on a final idea yet because we have been discussing which title to chose from and have asked for feedback from the public.
Here are our ideas:
Open Wound
Damaged and Distraught
ALICE
Trapped
Bruised
Battered
Broken
Survivor
Abuser
Stalker
We have finally decided on the title "Survivor." This is because we believe it amplifies the struggles and trauma the female character, Alice, has experienced and how she still manages to survive.
Here are our ideas:
Open Wound
Damaged and Distraught
ALICE
Trapped
Bruised
Battered
Broken
Survivor
Abuser
Stalker
We have finally decided on the title "Survivor." This is because we believe it amplifies the struggles and trauma the female character, Alice, has experienced and how she still manages to survive.
Wednesday, 11 February 2015
Tuesday, 10 February 2015
Tuesday, 3 February 2015
Pre-Production Planning - Jess
Body Language and Facial Expression
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| Sad |
Female character: In our opening, the female character has been and does get abused by her husband. She will have a sad facial expression throughout most of the opening and won't smile as she is unhappy and scared. Her body at this point will be hunched over whilst she is cooking dinner, this will portray the idea that she is trying to protect or brace herself. She will also be very stiff as she will be in pain.
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| Scared |
When her Husband begins to attack her, her facial expression will change. She will have wide eyes and a pale face. Her body language will be different, she will be standing up straight out of shock and then will run up stairs.
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| Clenched fist |
Male character: Our camerawork and tight framing is going to ensure that the males face is not visible throughout the entire opening, so his facial expressions will not be seen at this point. However, his body language will be important in portraying his type of character. He will always be standing up straight with broad shoulders to connote power and control, when the female drops his dinner his fists will clench up to portray anger.
Costumes
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| Suit and tie |
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| Dress shoes |
We are dressing our male character in a smart suit, tie and dress shoes. We have chosen to dress him in this way to convey a sense of power and high status, the power and control that he has over the female character will be portrayed through his clothing.
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| Casual dress |
Our female character will be dressed in a casual dress with bear feet as she will be inside. Because she will be in a dress, she will conform to gender stereotypes and then be placed by the audience in a domestic role. This will also portray her as a weak character as a result of gender stereotypes and will further emphasize the power and control of the male character.
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| Driveway in the evening |
Lighting and Colour
When we are filming outside it will be the evening so we are going to keep the light natural as our opening is going to be set in the evening at dinner time.
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| Dark and gloomy kitchen |
The inside of the house will be lit but we are going use lighting filters to make the house look dim and gloomy. This will portray the female characters sadness and will create an eerie atmosphere. Also, the house is dark and gloomy when the man enters which will portray him as an antagonist to the audience. The dark and gloomy lighting will be the same throughout the entire house where we are filming.
Monday, 26 January 2015
Jess' Thriller Openings
The Usual Suspects
In the opening of 'The Usual Suspects' there are many enigma codes that connote the thriller genre, a close up of a dead body is one example that is used in this opening.
Dark, or low-key lighting is used to portray the idea of mystery and creates an eerie atmosphere, there is a small bit of light that is provided by a fire which adds to the eeriness of the scene.
The costumes are all black and dark colours which match the lighting in the scene and further connote an eerie and mysterious atmosphere.
At the start of the opening there is a man sitting on the floor of what seems to be an old warehouse, he lights a bit of paper and drops it on the floor which then starts a bigger fire, the audience then labels this man as a potential antagonist.
However, because the man is sitting on floor and there is a slight high angle shot of him, it suggest he is actually in a position of weakness and is a potential victim of something.
Another man is standing at the top of a set of stairs at the warehouse and urinated on the fire that the other man started and put it out.
The medium shot and tight framing of the second man cuts off his head so the audience is unable to see his identity, because of this the audience then puts this man in the role of antagonist and this also emphasises the idea of mystery.
The use of diegetic sound adds to the enigma of the thriller genre, police sirens and gun shots are used as they are stereotypical expectations of a thriller.
Non-diegetic, creepy, music is played throughout the opening and gets louder to match the action unfolding, which further creates an eerie atmosphere and this is another enigma code of the thriller genre.
The Girl with the Dragon Tattoo
The first shot in the opening of 'The Girl with the Dragon Tattoo' is a close up of a parcel.
The audience is unaware of what is inside the parcel so this creates a mystery, which is a thriller enigma code.
There is a man sitting at a desk, the room is dark and there is only a slight bit of light coming in through the window, a close up of the mans face suggests that he is exposed and perhaps a victim or a protagonist in this film as his identity is not hidden.
Quiet, non-diegetic music is playing while the man is opening the parcel.
In the parcel is a plant of some sort in a frame, this confuses the audience and intrigues them as they know that the frame is significant but not why it is.
The man begins to get upset at what he has opened, there is a zoom shot of the man which reveals the rest of the room where he is sitting.
As the man becomes increasingly upset, the non-diegetic music gets louder to match the mans despair.
There is a close up of a black and white photo of a woman, the audience then start to wonder why this photo is significant, or who the woman in the photo is, if she is alive or if she is dead.
The man from this scene is dressed in a shirt and tie with a woollen jumper over the top, this connotes high status and the audience assumes this man is quite wealthy.
A big desk and fancy décor around the room where he is sitting emphasises the idea of high class and wealth.
The camera then cuts to a tracking shot of a hooded girl walking along the street, the non-diegetic music from the previous scene is still playing at this point.
The girl is wearing all black, a pair of jeans and a hoody.
This subverts gender stereotypes and the girl is presented as the antagonist as a result of stereotypical costuming.
Also, the girls identity is hidden as there is only one very quick close up of part of her face, this further connotes the idea of this girl being an antagonist and portrays her as a hidden and mysterious character.
Inception
This opening begins with a medium shot of the sea and the diegetic sound of crashing waves which begins to establish a location.
A close up of a man who looks like he has been washed up on the beach suggests to the audience that this man is a potential protagonist as his identity is not hidden and he is in a position of weakness.
There is a shot from the mans point of view of two children playing on the beach, this shot is in slow motion which portrays the man as disorientated and perhaps weak.
Non-diegetic music is playing while the man is on the beach to create a mysterious atmosphere, the audience begin to wonder where this man is and why he is there.
The man is poked in the back by a soldier with a gun, the gun adds to the enigma of the thriller.
the soldier lifts up the man's jacket with his gun and reveals another gun that the man has been carrying with him.
Next there is a long shot of a building, this again creates mystery as the audience are unaware of the significance of the building.
A slow zoom shot takes the audience into a room where a man is sitting with his back to the camera, this portrays him as a potential antagonist.
A soldier or guard enters the room and places a gun and a spinning top on the table next to the man, this are the items that the first man was carrying on him.
The guards bring the first man into this room and sit him down opposite the man who is sitting at the table.
The second man asks "Are you here to kill me?"
This question makes the audience change there mind about the first man and label him now as the antagonist.
The second man picks up the spinning top and spins it, a close up of the spinning top suggests that it is a significant object, but it also creates a sense of mystery as the audience do not know why.
Mystery is also portrayed by the fact that the audience have no idea who either of the men are, why the first one is there or why the guards have captured him.
Zodiac
The first shot of this opening sequence is a pan shot of a city to establish location.
It's set at night time, so the darkness creates a sense of mystery.
As the car is driving through the town there is diegitic music being played on the radio, this is used to perhaps establish the era in which the film is set.
A tracking/POV shot reveals someone driving through a town where there are fireworks going off, the fireworks portray the evening as important or significant in someway.
The car stops outside a house and a boy approaches the car, there is a medium shot of him where his entire face is visible, he is presented as being is a position of weakness.
The camera then reveals the driver, a young female, this subverts gender stereotypes and when she refuses to let the male drive, she comes across as a dominant character.
However, because her face is also visible it puts her in the same weak position as the male character.
When the two are in the car, they go to a place that is barren, dusty and surrounded by woodland, this location gives the impression of someone being stranded or alone, it also adds to the enigma of the thriller genre.
When the two characters are sat in their car, another car approaches the back of them and a dark figure gets out of the car.
The tight camera framing cuts off the figure's head, hiding their identity, this figure is then portrayed as the antagonist.
As the figure approaches the car with the two people in it, he pulls out a gun and shoots both of them.
Both the gun and the diegetic sound of gun shots are engima codes of the thriller genre.
When the figure walks away from the car after murdering the two people inside it, there is non-diegetic music playing.
However, the music does not match the atmosphere that the on-screen action has created, this confuses and somewhat disorientates the audience.
Towards the end of the opening, there is a medium shot of of a dead body and a policeman who is investigating obscures the shot.
Again, these are engima codes and further connote the thriller genre to the audience.
Face off
A medium shot of a father and son riding a merry go round is obscured by the rest of the merry go round.
The opening is in slow motion to emphasize a sense of mystery but also suggests that this scene is a flashback.
The fact that the scene has a sepia effect on it emphasizes the idea of a flashback.
There is a close up of a sheet being ripped off of an object and reveals a sniper, this is an enigma code and further portrays the thriller genre.
Non-diegetic music matches the action unfolding.(The gun being revealed.)
The man behind the gun is presented as the antagonist purely because of the fact that he is behind a gun.
Because there is a close up of the antagonist's face, it subverts the idea of a stereotypical antagonist and suggests that he has some sort of personal connection to the father and son that were seen in the previous shot.
When the man fire the gun, there is a close up of the bullet leaving the gun the further connote the thriller genre.
The father and his son are both shot by the bullet, there is blood left on the horse and the balloons that the child was holding fly up into the air, this symbolizes the infants injury or even death.
Slow paced non-diegetic music plays alongside the action to emphasize the child's death and the fathers despair.
Monday, 19 January 2015
Preliminary Task Review
During Friday's lesson we were given feedback by the rest of the class on our preliminary task.
We were told that:
•the camera shots were nicely framed
•we followed the 180 degree rule
•there was a good use of props
•good use of OTS shots
However there were some problems with our prelim task. For example, the sequence that we filmed was supposed to be 1 minute long but ours was only 42 seconds. This is a problem that we will now make sure doesn't happen when we begin our main task.
Tuesday, 16 December 2014
Evidence:Editing
We are now beginning to edit our Preliminary Task. We are going to be adding non diegetic music and we are also planning to use the black and white colour scheme throughout. Also, we want the shots to be quite short and to have a quick pace to build tension and to make the audience anxious when watching. The group is working really well together and we are getting everything done quite quickly and at a high standard. We have already begun to talk about out main task after Christmas and have some great ideas!
Tuesday, 9 December 2014
Script!
Sofia slowly walks into the room and anxiously approaches the desk where Zoe is sitting. Zoe doesn't look up, she continues working at her desk. Sofia then gently places a knife onto the desk and slides it towards Zoe, she looks up at Sofia with pride.
Zoe: Is it done?
Sofia takes a deep breath.
Sofia: Yes.
Both characters pause.
Sofia: He's dead
Fade to black.
Zoe: Is it done?
Sofia takes a deep breath.
Sofia: Yes.
Both characters pause.
Sofia: He's dead
Fade to black.
Storyboard Completed.
Shot 1 - Medium Long shot of Sofia walking down the corridor and approaching the door.
Shot 2 - Close up of the door handle and the door opening.
Shot 3 - Medium shot of Sofia entering the room.
Shot 4 - Medium shot of Zoe sitting at a desk, working and looking away from Sofia.
Shot 5 - Close up and Tracking shot of Sofia's feet walking towards the desk.
Shot 6 - Medium shot of Sofia approaching the desk.
Shot 7 - Medium Close up of Sofia placing a knife on the desk and sliding it towards Zoe.
Shot 8 - Medium Close up of Zoe looking at Sofia. "Is it done?"
Shot 9 - Medium Close up of Sofia looking back at Zoe. "Yes"
Shot 10 - Close up of Sofia still talking to Zoe. "He's dead."
Match on Action

Match on action means that when something happens in the scene then when there is a cut the same piece of action must continue. this is an example of continuity editing and helps the audience to understand exactly what is happening in the scene. the action must be kept continuous to avoid disruption. A medium shot of the action and then a close up is the most effective use of match on action, a medium shot of a person opening a door and then a close up of the door handle or the hand on the door is an example of this.
Monday, 8 December 2014
The 180 Degree Rule
When you film a scene using separate shots, it’s important that people understand where everything in the scene is. The 180 degree line (or line of vision) allows you to only film from one side of the action, this is so the characters stay in the same position on the screen when they are having a conversation. The diagram on the right shows three cameras on the one side of the 180 degree line, this means the cameras will be able to film the conversation but keep the characters in the right position on screen. If one of the cameras were to cross the line of vision, the sequence would not work.

This is what the two shots would look like if you were to cross the 180 degree line, the two characters would be in the same on-screen position which would confuse the audience as it looks as if the two characters are the same person.

This is what the two shots would look like if you were to cross the 180 degree line, the two characters would be in the same on-screen position which would confuse the audience as it looks as if the two characters are the same person.
The Preliminary Task
The Preliminary Task.
The specification
states that this must be:
‘ A continuity task involving filming and editing a
character opening a door, crossing a
room and sitting down in a chair opposite another character with whom she/he
then exchanges a couple of lines of dialogue.’ The sequence must last no longer
than one minute.
This task
should demonstrate:
- Match on Action
- Shot/Reverse Shot
- The 180 degree Rule
You will also have to incorporate Music, lighting, dialogue
(recorded separately on a lapel mic and voice recorder)
and sound effects into your film
All filming and editing must take place on campus,
using College equipment.
Each group will set up a
blog onto which you will record the
entire process
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